This month was Anne Brontë’s 200th birthday,
so I couldn’t let it go without writing a post in honour of it.
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| Anne Bronte, Project Gutenberg |
I don't think I'm alone in thinking that Anne was the boldest of her sisters. Her novel The Tenant
of Wildfell Hall certainly is the bravest in rebelling against social
expectations of women, and Helen Graham is by far my favourite heroine. Here’s
why:
1. She’s an adult, independent woman who has
lived a full(er) life in society.
Rather than living in the margins of society,
in a state of arrested development, like Jane, Lucy, Agnes or even Cathy who
never wanted to leave the moors, Helen’s previous life means she seems more like
a well-rounded person. This might have made her story all the more shocking to
Victorian audiences, as Helen’s social standing combined with her radical ideas
would have been more likely to influence other people than those of a governess.
She can’t be dismissed as just a naïve or unreliable narrator. I think this
makes her character a very powerful vehicle to express social critiques of
expectations and double standards for women and men. And unlike Anne’s other
heroine, Agnes Grey, who shows no progression as a character, Helen learns from
her experiences.
2. She’s a good mother who is breaking the cycle of
toxic masculinity, long before that was a “thing”.
She won’t bring her son up to be ashamed of loving
and respecting women, especially his mother. She dismisses false notions of
masculinity and the “boys will be boys” attitude, calling out the double
standard there is in how people educated and raised boys and girls. Boys were
expected to be exposed to the temptations of the world, in the expectation that
this would strengthen their character. In contrast, girls were to be shielded
and sheltered from anything that might taint their innocence. Helen argues that
children are children and should all be protected from harmful influences until
they are old enough to be able to differentiate for themselves
3. She has a higher standard for romantic relationships.
She doesn’t think she is obliged to stay with an
abusive husband or to take any rubbish from a man. At a time when women were
expected to suffer in silence and submit to their spouses, Helen is brave
enough to put her self-respect and her desire to protect her child, above any
considerations of what society will say. She shuts her bedroom door on him and
takes her child away from him – both significant actions in Victorian England
where a wife had virtually no rights independently from the wishes of her
husband. Cathy and Jane on the other hand, seem to have this almost masochistic
desire to be with men who belittle them and show them cruelty.
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| Tara Fitzgerald and Toby Stephens as Helen and Gilbert in the BBC production of the Tenant of Wildfell Hall, 1996. |
4. She doesn't NEED a husband.
She’s
financially independent so doesn’t need a man to support her, and because she’s
been married before, she is more savvy about what she does and does not want in
a partner; this makes Gilbert Markham raise his game. She therefore has agency
in their relationship - WITHOUT needing to compensate for the power dynamic by
being having him maimed or killed (See Mr Rochester and Monsieur Paul).
5. She’s the only Brontë heroine who makes a living
from her art.
At a time when this was considered unladylike
or bohemian, Helen makes money to support herself and her son through her work
as a painter. Jane Eyre, Lucy Snow, and even Agnes Grey, although
unconventional heroines in many ways, have conventional occupations for ladies
of their social situation as governesses, companions and teachers. Emily’s
Cathy is not artistic or creative in any way, and Shirley does not need to support
herself, having inherited wealth. I feel that Helen’s reliance on her creative
talents to provide an income while raising her son, reflects the Brontë
sisters’ need to earn extra money without needing to leave Haworth, as they
were also carers for the Rev. Patrick Brontë and Branwell. At the same time
Helen talks about how much she enjoys her work, and is always looking for an
honest critic so that she can improve – which makes me think she’s not just
doing it for the money.
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